One Murder After Dark and Four Stories

Songs make for interesting story telling devices. The best songs tell great stories, and great stories always deserve a closer look. These closer looks (criticisms if you want to sound literary) can serve to inform, to entertain, and to persuade. “Murder, Tonight, in the Trailer Park” by the Cowboy Junkies is one such great story. There are multiple approaches and interpretations of this song, but I’m want to focus on how night and money play a role in the lives of the characters in this song.

The central plot of “Murder, Tonight, in the Trailer Park” is the murder of Mrs. Annabelle Evans. She is murdered some time after sunset. Annabelle’s body is identified by a neighbor, Peg. The apparent motive for Mrs. Annabelle Evans’ murder is robbery. She is killed for what amounts to not much more than pocket-money. Nearby an unidentified character is prompting someone by the name of Ann Marie to pack her bags and leave with him under the cover of night. We aren’t made fully aware of the motive for the unidentified character’s desire to move and to what extent Annabelle Evans’ death may have in that decision, but this character has “been saving pennies” in preparation for the move. He tells Ann Marie that they will head west under the cover of night and make a new start. Meanwhile, across town, George Evans (Annabelle’s husband) is spending his night at a bar getting drunk, buying rounds for the regulars, and bragging about how he won big at a game of craps. Later this same night, we see a “faceless man” in a hotel room counting out crumpled bills and waiting for the sports results on TV. He turns down the volume when news of the murder is reported. He isn’t as concerned with Annabelle Evans’ murder tonight as he is with whether or not the wagers he placed today are winners. All four scenes all occur on the same night, and money connects them all.

Take a close listen to “Murder, Tonight, in the Trailer Park” for a gritty, realistic story about a murder after dark, money, and the impact both have on the people around it.

Nightside

We rolled back the clocks an hour today. An extra hour of sleep for some, work for others, and an extra hour of night for all. So many people complain about fall daylight savings-the harbinger of shorter days and longer nights, but I’ve always liked the period from dusk until dawn, the Nightside.

‘Clock Face’

The nightside are those hours when most people are tucked in under the warmth of artificial light as the world turns in its beautiful darkness. The people of the nightside, the workers, the ramblers, and the sleepless experience a world that is known to only them.

Trick or Treat

It’s October 31st, the culmination of the Spooky Season. Halloween, the day of tricks and treats. Little kids in costumes, adults, in ‘cosplay,’ and everyone (at least those celebrating) playing at being something they aren’t or something they wish they were.

‘Cthulhu’

Here’s to the spooky stories, fun costumes, sugary treats, not too malicious tricks, and being as scared as you’re willing to be. Happy Halloween!

A Sentimental Sort of Scare

While warching a horror flick the other night I got to thinking about what scared me when I was a kid. One source of a few scares was a graveyard next to the grade school I attended. I was a latchkey kid (do people still use that word) and on my way home I either walked around or through that graveyard. One cold and rainy fall day (I’d like to say it was during October but my memory may be playing with me) in third grade a few friends and I were sharing scary stories toward the end of the day. They were typical Scooby Doo style scary stories until an eighth grader decided to join the conversation.

‘Graveyard Schoolyard

His story was about a group of teenagers who drove their car into a tombstone while driving through the graveyard. All of the teenagers, save one, gathered around the damaged tombstone, mocked the deceased, and laughed at the damage they caused. Later, the teenagers were in another accident, this time hitting a telephone pole. All the teenagers, save the one, died in the accident. A couple of friends and I cut through the graveyard that day after school to verify the eighth grader’s story. There was indeed a tombstone near the access drive that was damaged. We didn’t say much the rest of the walk home. I lived the farthest of my friends so those last three blocks alone in the cold and rain was an eerie kind of quiet. The quiet was broken by the sound of skidding tires on wet pavement, probably a car simply stopping short at a stop sign. It was enough for nine-year old me to sprint that last half block, lock the door, and turn on every damn light in the house.

I was visiting my mother a while back and took her hound dog for a walk. We took a round about way through the neighborhood and cut through that graveyard on our way back. I took a moment to look at that tombstone and with quite a bit of life experience behind me I concluded the damage was from time and weather. But as I stood before that tombstone my heart began to race. For a brief moment I felt that fear, maybe not the fear but the memory of the fear from that afternoon in third grade. H.P. Lovecraft wrote, “The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown.” As we grow older and gain life experience less and less remains unknown so less and less remains scary, but now and again the memory of unknown creeps up and scares us.

Horror Stories Are OK

…if They Are Educational?

What was you first experience with a well written horror story? My guess is that some story by Edgar Allan Poe will come to mind for many of you, it does for me. I read “The Cask of Amontillado” when I was in the seventh grade and it began a life long appreciation for gothic and horror literature.

With the Halloween season upon us I decided to give the story another look, and I came away with a few observations. First, the exposition of the story discusses some of the finer points of revenge. Second, there is a whole lot of drinking going on in this story (hell, the title references booze). Finally, the protagonist plans and executes what he feels is a perfect murder. It’s a well written, compact story that incorporates many elements of classic gothic fiction, but I don’t remember the teacher discussing these points way back in junior high. I do have vague recollections of her covering the plot in broad strokes with more of a focus on the general gothic mood of the story.

I figure my teacher all those years ago was more interested in teaching Poe the author (the man’s tormented life plays a large role in his appeal to many people) than really focusing on the content and context of the story itself. I do remember the class reading it and enjoying it. But I can’t help but think that today, in a world where it seems so many people are easily offended, if teaching the horror classics of Poe would still be considered acceptable and/or educational?

Reels, Records, & Reads

Edgar Allan Poe

  • The Masque of Red Death with Vincent Price, Hazel Court, and Jane Asher
  • The Beautiful Cigar Girl by Daniel Stashower
  • Closed on Account of Rabies by Various Artists

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