Hellraiser and the Doors to Heaven and Hell
“What’s your pleasure?” That’s about as loaded as a question as you are going to get, and it’s the beginning of Clive Barker’s Hellraiser. This is the movie that introduced me and many of my friends to the Cenobites, Pinhead, and the Lament Puzzle Bob. The box serves as a key/door to other dimensions offering both pleasure and pain. Barker’s movie, based on his novella, addresses the idea of being careful of going through doorways that promise something better or different than what you already have (an idea we began with Neil Gaiman’s Coraline).
I remember the first time I watched Hellraiser. I was with a group of friends, each of us brought a horror tape (oh, how I do get sentimental about VHS on occasion), and we had a Saturday night horror movie marathon. I noticed then, over thirty years ago, that Barker’s movie was different from many of the horror movies of the time. There are many great horror movies from the 1980s but most of them don’t have the depth of Hellraiser. The antagonists of many horror movies of the time are one dimensional, as are the protagonists. The world the characters inhabit are also relatively underdeveloped. The characters of Hellraiser are interesting. They have believable motivations and desires for their actions. They inhabit a world like our own but would be wary to inhabit. It is a world of with doorways that can be unlocked with a Lament Puzzle Box. These doorways appear to offer a better world, a world of pleasure, but there is something lurking beyond the doorway, Pinhead.
Most of the horror movies of the 1980s can be viewed as cautionary tales, modern twists on the old tales of foreboding and magical places with their possible dangers. Clive Barker’s Hellraiser is a more developed tale. Barker isn’t telling us to avoid those foreboding places, to not go through those doors. He is telling us to be aware of what is on the other side.
Hellraiser (1987) with Andrew Robinson, Clare Higgins, Ashley Laurence, and Doug Bradley. Written and Directed by Clive Barker.